![]() ![]() ![]() Digital cinema, for example, is an MXF format. P2 is a transport stream, very similar to any other transport stream, except it was created by the entertainment industry to facilitate the movement of files through the production process from image acquisition, hopefully, ultimately, through the digital intermediate. I spoke with him about his perspective on P2 technology and its implications on workflow.ĭavid Tamés: What do you see as the role of P2 technology in production and post-production?īarry Braverman: P2 is Panasonic’s implementation of the SMPTE MXF format, Sony has XDCAM, their MXF format. As part of my research for the article I put together a music video shoot using P2 workflow and spoke with several filmmakers about their experience including Barry Braverman. ![]() I discuss Panasonic’s P2 technology and workflow in Part 2 of my article about the Panasonic AG-HVX200 camera that appears in the most recent issue of New England Film. ![]()
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